Electronic

This is what the future will sound like.  Kevin Press One-sentence music reviews (OSMR) are designed to spread the word about as many new releases as possible during the COVID-19 crisis.

When a certain type of electronic music is done right, it offers a sophistication that appeals to a broad audience; it’s why people sometimes walk into a room and fall in love with the scene, without fully realizing that it’s the music that’s doing all the work – this is one of those albums. Kevin…

Tudor Acid applies live improv techniques to acid and electro music; this 113-minute collection demonstrates how a less linear approach to beat-oriented electronic music can broaden its appeal beyond the dance floor. Kevin Press One-sentence music reviews (OSMR) are designed to spread the word about as many new releases as possible during the COVID-19 crisis.

Thirty cuts of largely industrial beats, mixed by Helena Hauff for Tresor Record’s Kern series – for those who like their edges rough. Kevin Press One-sentence music reviews (OSMR) are designed to spread the word about as many new releases as possible during the COVID-19 crisis.

This week’s brightest highlight – four reinterpretations of the title piece that accompanied Nazim Tulyakhodzayev’s 1984 animated film of the same name, by Anchorsong, Dylan Henner, Lakker and Rully Shabara; part of a new series on Phantom Limb’s soundtrack project Geist im Kino. Kevin Press One-sentence music reviews (OSMR) are designed to spread the word…

Iñigo Vontier’s first ambient release is a tribute to its namesake – a soon-be-born daughter: 88 minutes of sci-fi tinged electronics. Kevin Press One-sentence music reviews (OSMR) are designed to spread the word about as many new releases as possible during the COVID-19 crisis.