- 0.00 Yvan Sheremetieff – Bakerloo – The Interpretation of Voices, Episode 1 (to 2.09)
- 1.52 Leiche – Horizons (to 5.20)
- 4.18 XII Sound – Tube I – V (to 16.46)
- 14.22 Parajekt – Parajekt (to 21.27)
- 20.42 Erik Klinga – Hundred Tongues (to 39.22)
- 27.53 Haswell & Hecker – UPIC Diffusion Session #23 (to 1.00.24)
- 1.00.37 miska lamberg – Half-memories absorb us – evening window (to 1.09.20)
- 108.44 Clare Cooper & Jean-Philippe Gross – Guzheng with electronic (to 1.11.47)
- 1.10.50 Machinefabriek – Spelonk III (to 1.28.10)
- 1.24.53 Ana Rebekah – The Broad Water Become Frozen (to 1.26.16)
- 1.26.10 Iris Our – Urnshaped Murmuration (to 1.33.26)
- 1.30.04 Sir Tad – Generation Joint Side A (to 2.04.35)
- 1.47.14 Androctonyx – Part 2 (to 1.59.51)
- 2.05.18 Bellbird – Blowing On Embers – the call (to 2.12.06)
- 2.05.30 Steve Roden – Airforms (to 3.00.00)
- 2.12.04 Jannis Anastasakis – The Liquid Oxygen (to 2.16.54)
- 2.16.54 Ben Seretan & John Thayer – Watermelon Well (to 2.20.30)
- 2.20.28 Haruhi Kobayashi – CBD Sodawater (to 2.30.17)
- 2.28.20 Gareth Jones – 53_StOlaves : Response (to 2.37.28)
- 2.36.38 Luís Fernandes + Pierce Warnecke – Culatra I (to 2.55.19)
- 2.55.05 Noémi Büchi – I suppose (to 3.00.00)
The Moderns ep. 403
One response to “The Moderns ep. 403”
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Hi Kevin
would like to share a new album with you on Composers Concordance records that perhaps you might like to broadcast
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Lockdown Lullabies William Schimmel & Gene Pritsker https://lnk.fuga.com/williamschimmelgenepritsker_lockdownlullabies
William Schimmel – accordion Gene Pritsker – electric guitar Download – https://drive.google.com/drive/folders/194of5Wq3zHKd9DbuqolqIrI_UYB-urYh?usp=drive_link
Lockdown Lullabies is a three-movement composition Gene Pritsker that embraces an unlikely instrumental pairing: accordion and electric guitar. Created during a time of global isolation, the album turns confinement into a space for intimacy, risk, and unexpected beauty. The combination of William Schimmel – accordion on accordion—by turns orchestral, fragile, and ferociously rhythmic—and Pritsker’s electric guitar—raw, lyrical, and noise-tinged—creates a sound world that defies genre. Eclectic by design, the three movements unfold as contrasting responses to the same shared moment: lullabies not meant to soothe, but to reflect, unsettle, and reimagine stillness. Lockdown Lullabies is both a document of its time and a bold statement of creative resilience—two distinctive musical voices finding common ground in the most unexpected way.
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The Moderns 
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